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Search Results for “AIGA Eye on Design”
AIGA Eye on Design “about” page
AIGA Eye on Design (full site)2
AIGA Eye on Design | How Can Designers Address Power Inequity? Start Small and Focus on the Local
“Designer, Educator + Publisher Kathleen Sleboda on Online Archives as Plural Narratives” by Ksenya Samarskaya for AIGA Eye on Design, March 18, 2021
This Is Hardcore—The Huge Impact of a Niche Movement on Graphic Designers Today by Emily Gosling (AIGA Eye on Design, November 20, 2019)
Type Designers Are All About the Details, So Why Are They Selling Fonts That Aren't Finished_ _ _ Eye on Design4
Can We Teach Graphic Design History Without Chronology?
We Need Graphic Design Histories That Look Beyond the Profession
Can We Teach Graphic Design History Without the Cult of Hero Worship?
AIGA Archives
Graphic Design USA/AIGA Cover
AIGA membership package5
Designer, Educator, and Filmmaker Briar Levit on Uncovering Untold Stories From Design History
“Keep Your Eyes Open” Jan van Toorn on Dutch Design Education AIGA Journal of Graphic Design, Vol. 18, No. 1, 20003
Can We Design a More Perfect Design Union?
AIGA Los Angeles: Chapter petition 19834
Designers, Please Pay Your Interns
AIGA Context poster
“eye”
Design Finally Has a Solution to the Global Financial Crisis: More Design Thinking
"Status and Academe" AIGA Journal of Graphic Design Vol. 18, No. 1, 20002
Can Design be Genderless?
Right On! Is a Powerful Little Paperback That Boldly Visualized Student Protest in the 1970s
Design History 101: What You (Still) Don't Know About Psycho
Charles Goslin AIGA NY 4.17.2001
AIGA Boston Fellows Award invitation 2007
“Personal Notes on Design” and “A Tribute to Alvin Lustig”4
What Is the Role of Personal Narrative in Graphic Design?
Eye magazine, “Googling the Canon” No. 682
Why Can’t the U.S. Decolonize Its Design Education?
Can We Teach Graphic Design History Without Chronology?
Design Criticism Is Everywhere—Why Are We Still Looking For It?2
Do Graphic Designers Make Good Graphic Design Curators?
“Decolonizing Means Many Things to Many People”—Four Practitioners Discuss Decolonizing Design
2006 AIGA Medalist Lorraine Wild
Paul Rand: The Movie, AIGA Journal of Graphic Design, Vol. 16, No. 2, 19982
As the Design Industry Moves More Toward Specialization, Education Follows Suit
The People's Graphic Design Archive is Rethinking How We Talk about Design History
Affordability, Transparency + Flexibility: Southland Institute Offers an Alternative Model for Design
AIGA Gold Medal Award Invitation 19952
AIGA Communication Graphics 1993 call for entries4
Eye-Bee-M
Cover of AIGA Journal, Vol. IV No. 1-2
William Morris' Impact on Graphic Design
Looking Back on Muriel Cooper’s Visions of the Future
Designer + Educator J. Dakota Brown Is Untangling the Relationship Between Design and Labor
Typeface Homage to the City That Provided a Safe Haven After Chornobyl
Is A Design Canon Really Dangerous?
The History Books Often Overlook Women in Design. A New One Seeks to Finally Give Them Their Due
AIGA San Francisco| SFMOMA
An Instagram Account for Feminist Design Teaching Resources, A New Catalog On Two Legendary CalArts Programs + More
“Today's Eye” Hanatsubaki(花椿)
Basel, The Computer and its Consequences: Interview with Wolfgang Weingart, AIGA Journal of Graphic Design, Vol. 17, No. 2, 19995
Saturday Design School2
Is There A Canon of Graphic Design History?
Interview with Chaz Maviyane-Davies, AIGA Journal of Graphic Design, Vol. 18, No. 2, 2000
Handwriting is dying. What does that mean for design?3
“Eye Shade!“ Ad for Joseph Magnin Department Store
“The Nun’s Story” AIGA article 2
Graphic Means Documentary Recalls the Days When Design was Made by Hand
“Environmental Design at Art Center College of Design”
How Feminist Movements Co-opt Graphic Design to Express Themselves
The City and Design, The Wonders of Life on Earth, Isamu Kurita
