Masculin, Féminin (Film)

Masculin, Féminin (Film)

Film/Video31
Jean Luc Godard1
Experimental Video playlist

Experimental Video playlist4

Video44
Patricia Marx1James Whitney3
New Wave design by John van Hamersveld

New Wave design by John van Hamersveld5

Poster1670
John Van Hamersveld7
Lillian F. Schwartz website

Lillian F. Schwartz website

Afterlife

Afterlife

Ishu Patel2
Kachi Kachi Yama

Kachi Kachi Yama

Motion Graphics140
Tadanori Yokoo24

Kachi Kachi Yama

Film/Video31
Tadanori Yokoo24
Cover of Melba

Cover of Melba

Magazine632
Cl. Eizykman1
Film #10 “Mirror Animations” from “Early Abstractions”

Film #10 “Mirror Animations” from “Early Abstractions”2

Motion Graphics140
Harry Smith5
Film #1 “A Strange Dream” from “Early Abstractions”

Film #1 “A Strange Dream” from “Early Abstractions”2

Motion Graphics140
Harry Smith5
Film #2 “Message from the Sun” from “Early Abstractions”

Film #2 “Message from the Sun” from “Early Abstractions”2

Motion Graphics140
Harry Smith5
“From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney”

“From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney” 2

Article577
Zabet Patterson1The MIT Press6
“John and James Whitney: Audio- Visual Music”

“John and James Whitney: Audio- Visual Music” 3

Article577
Arno Press, New York 1
“The Vision of John Whitney 1917-1995”

“The Vision of John Whitney 1917-1995” 4

Article577
John Whitney20
“Audivisual Music”

“Audivisual Music” 2

Article577
Ralph K. Potter1University of California Press3
“Visual Music: The Search for an Aesthetic”

“Visual Music: The Search for an Aesthetic” 2

Article577
John Whitney20The MIT Press6
“Letters: On Music’s Changing Relation to Visual Art”

“Letters: On Music’s Changing Relation to Visual Art” 3

Article577
John Whitney20
“Fifty Years of Composing Computer Music and Graphics: How Time’s New Solid-State Tractability Has Changed Audio-Visual Perspectives”

“Fifty Years of Composing Computer Music and Graphics: How Time’s New Solid-State Tractability Has Changed Audio-Visual Perspectives” 3

Article577
John Whitney20The MIT Press6
Film #5 “Circular Tensions” (Homage to Oskar Fischinger) from “Early Abstractions”

Film #5 “Circular Tensions” (Homage to Oskar Fischinger) from “Early Abstractions”2

Motion Graphics140
Harry Smith5
Color Music – Abstract Film– Audio – Visual Music

Color Music – Abstract Film– Audio – Visual Music2

Article577
James and John Whitney1
“Abstract Film Explorations”

“Abstract Film Explorations” 2

Article577
Eli Willis1
“Yantra”

“Yantra”

Experimental Film11
John Whitney20
“Come Closer”

“Come Closer”

Experimental Film11
Hy Hirsh2
“Chasse des Touches”

“Chasse des Touches”

Experimental Film11
Hy Hirsh2
“Allure”

“Allure” 3

Experimental Film11
Jordan Belson1
“Fallout: Some Notes on the Films of Bruce Conner”

“Fallout: Some Notes on the Films of Bruce Conner” 2

Article577
William Moritz1Beverly O' Neill1
“Cosmic Ray”

“Cosmic Ray”

Experimental Film11
Bruce Conner1
Light Show at Santana's concert

Light Show at Santana's concert

Motion Graphics140
Little Princess 1091
Projection from Son et Lumière for Earth, Air, Fire and Water

Projection from Son et Lumière for Earth, Air, Fire and Water

Motion Graphics140
Mark Boyle and Joan Hills1
“Train Landscape”

“Train Landscape”

Motion Graphics140
Jules Engel2
“Silence”

“Silence”

Motion Graphics140
Jules Engel2
“Kaleidoscope Jazz Chair”

“Kaleidoscope Jazz Chair”

Motion Graphics140
Charles and Ray Eames1
“Freshness in Design”

“Freshness in Design” 2

Article577
UCLA1
“Scape-mates”

“Scape-mates”

Film/Video31
Ed Emshwiller2John J. Godfrey1
“Sunstone”

“Sunstone”2

Film/Video31
Ed Emshwiller2Alvy Ray Scott1