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The Rocket, Seattle, WA, Aug. 1986

The Rocket, Seattle, WA, Oct. 1982

The Rocket, Seattle, WA, Jan. 1986

The Rocket, Seattle, WA, April 1985

“How To Make Type Do Its Job”2

The Rocket, Seattle, WA, Feb. 1983

Northwest Passage, Seattle, WA, March 1978

women-in-type.com2

“Typography 22: The Annual of the Type Directors Club”

Pre-digital Type Foundry Catalog websit

Seattle Sun, Seattle, WA, Feb. 6, 1980

QSL card (Seattle, WA)2

John Zorn Concert Poster, Seattle, WA, 1983

Macedonian Woman: Section of the Women's Antifascist Front of Macedonia, Issue #72

Concentration City Concert Poster, Seattle, WA, 1983

Seattle Sun, Seattle, WA, March 28, 1979

Seattle Sun, Seattle, WA, Oct. 10, 1979

Assassins Creed PlayStation 3

Seattle Sun, Seattle, WA, Sept. 5, 1979

Type Talk Cover No. 138

Cal Freedman’s design for “WA”

Object: Type Sort in the Shape of a Donkey 2

“Famous Type Designer Employed By Sparkeeta”2

Bavarian Type Premium Beer

Type shop order form2

W. A. Dwiggins Infographic2

Rayman 3: Hoodlum Havoc Bathroom

Women Setting Type at a Monotype Machine at the Riverside Press, Cambridge

Dainippon Type Organization’s Stamp stand (「大日本タイポ組合のインボウ」)8

Cranbrook Design and Type Treatment2

“The Judson 3”
loud paper, Volume 3, Issue 3

El Chavo del Ocho, logo type

The Rocket, Seattle, WA, June 1980

The Rocket, Seattle, WA, Nov. 1980

The Rocket, Seattle, WA, Jan. 1983

The Rocket, Seattle, WA, Aug. 1984

The Rocket, Seattle, WA, March 1981

The Rocket, Seattle, WA, July 1980

The Rocket, Seattle, WA, Feb. 1981

The Rocket, Seattle, WA, Nov. 1980

Vector, vol. 3, no. 32

Lego Lord of the Rings: Playstation 33

Street Kids newspaper, Seattle, WA, July 1983

The Rocket, Seattle, WA, Dec. 1984

Food Advocate, Seattle, WA, Aug-Sept 1980

The Enemy gigposter, Seattle, WA, circa 1981

Black woman setting type in the southern print shop

Peninsula Observer, vol. 3, no. 3

Other Scenes; vol. 3, no. 33

Good Times, vol. 3, no. 3
loud paper, Volume 3, Issue 3

Emigre #3

“Your Turn, My Turn, 3-D” Poster

Stop Stealing Sheep & Find Out How Type Works, Third Edition4

The Bay Guardian; vol. 3, no. 3

Bitch magazine, #3

Solidarity for Workers' Power, vol. 3, no. 32
“Some Type Foundries Want to Restrict Usage of Their Fonts on Ethical Grounds. Will It Work?”2

The title page of a book printed in Boston Line Type by Perkins School for the Blind

Entrance for Lustig Office

Radical America vol. 6 no. 3

The Rocket, Seattle, WA, Jan. 1984. Illustration by Gary Panter
