[History Student Work] The studio 

A digital editorial booklet that examines the enduring relevance of Paul Rand's classical modernism principles in the context of contemporary media. Through the theory of the grid as a "dynamic skeleton" (Ellen Lupton) and the convergence of typography, photography, and video into a single fluid medium (Lev Manovich), this project analyzes how visual composition and geometric structure in film and design separate lasting work from ephemeral digital noise.