How The Law 'Protects The Widow.'
Date
Credits
- Mac Author
Format
- Flyer/poster 52
Publishers
Dimensions
Locations Made
- United Kingdom 164
- London 20
- England 86
The early 20th century saw the women's suffrage movement in Britain reach new heights, with campaigners using visual media to highlight the injustices they faced. One such example is the 1909 pro-female suffrage propaganda poster, How the Law 'Protects' the Widow, produced by the Suffrage Atelier. This powerful piece is one of six posters designed by the artist 'Mac' for the Atelier, an organization founded in London in 1909 to use visual arts in support of women's enfranchisement.
The poster's design is intentionally simple yet emotionally striking. It depicts a grieving widow with her children, desperately questioning a legal authority about the fate of her late husband's estate. The response is cold and bureaucratic: "No, Madam, a man may leave his money to whom he likes, but you must maintain your children, that is one of the laws of England." This blunt statement exposes the stark reality that while men had full control over their financial legacies, women were left vulnerable, with no guaranteed rights to inheritance or financial security.
The illustration uses a black-and-white block print style, characteristic of the Suffrage Atelier's woodcut and stencil techniques. Heavy black outlines emphasize the widow's distress, while the contrast between dark and light areas heightens the emotional weight of the scene. This graphic style, with its bold simplicity, was not only visually arresting but also well-suited for mass production and distribution, ensuring the message reached a wide audience.
The Suffrage Atelier was distinct from other suffrage organizations in its focus on the arts. Founded by Laurence and Clemence Housman, alongside artists like Catherine Courtauld, Edith Craig, and Isobel Pocock, the Atelier aimed to provide visually compelling materials to support the women’s suffrage movement. Unlike the more militant Women’s Social and Political Union (WSPU), which favored direct action and spectacle, the Suffrage Atelier specialized in posters, postcards, and banners that could be widely circulated to spread awareness and sway public opinion.


