From Country to the Heart of Town for Shopping
Date
Credits
- Dora Batty Designer
Format
- Poster 1960
- Advertising 544
Media
- paper 1669
Techniques
- printing 645
Dimensions
Locations Made
- United Kingdom 160
- England 85
Dora Batty was a British designer working in illustration, poster design, pottery, and textiles. Batty was commissioned by the Underground and London transport to design over 500 posters throughout the 1920’s-30’s. These posters were created with a goal in promoting travel in and out of the capital. Batty uses these posters to examine different uses and users of the london underground. With an affinity for textiles and fashion, we can see snapshots of the time for fashion and textiles, as she created detailed illustrations of the uniforms and clothing of the time worn by the users of the railroad.

Fri, Feb 9, 2024
Dora Batty's approach to The Underground advertisements reflects her lens as a woman designer who existed outside the scope of the male-dominated Bauhaus style that was prominent at the time. We see elements of the Bauhaus that have heavily inspired and shaped modern Western design such as asymmetry and an affinity for simplicity through shape and color choices. We also see the attention to textiles and garments, Battys was heavily influenced by examining the question, Who uses the London underground, and Where are they going? When looking at this series, All the figures represent women in nice clothing and using that travel for shopping, going to the theatre, and other activities that cost money. We can see the stereotypes of women and upper-class figures being perpetuated here through the representation of women pursuing these specific leisures, and having the time or resources to do so. One thing that is particularly interesting about this poster is the way the woman has been illustrated here, she is alone and drawn in a confident/ defiant pose. There is an emphasis on her items and her arms wrapped around them, this can be translated into ownership. These elements can be interpreted as subtly challenging ideas of the domestic sphere that were prominent at the time in British culture.