Spring

Frances MacDonald's "Spring" is a significant piece within the Glasgow Style, a design movement that emerged in the early 1890s and lasted until around 1914.  Local to the city of Glasgow, Glascow style was characterized by its impact on various design mediums, and MacDonald and her sister Margaret played a crucial role in shaping the style. Spring reflects the distinctive features of Art Nouveau, employing linear, plant-like forms inspired by nature, science, and mythical history. The use of a dreamy palette, light and neutral colors, and touches of modernity, such as geometric symmetry and squares, characterizes the piece. The portrayal of nude women in MacDonald's work challenges the gender norms of the time, depicting them as independent and ethereal, contributing to the feminist movement's visual communication. The independence of Frances is evident in her approach to art. Unlike many women of her time who studied art for personal pleasure, Frances readily sold her work. Upon graduation, she established her own studio with her sister Margret and gained commercial success with posters, advertisements, watercolors, metalwork, and fabric designs.