2022 Austin Powers in Goldmember film 

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Industrialization impacts the design industry's social/cultural systems on Asian women because, In the wake of the 2021 Atlanta Spa Shooting, I realized how Asian women are most often represented on screen through their deaths and collective trauma.  This is why we call for representation. Because when diverse representation on screen falls short in Hollywood, the only time Asian women are collectively seen is through news that covers their assault.  Asian Americans online who are fictional and nonfictional are always represented to be sexual for men. Anime today has ruined Asian women's images. This clip from the 2022 Austin Powers in Goldmember film represents the sexualization of the 2 Asian women. 

The appropriation of art, food, fashion, and labor continues today, reinforcing the idea that the white lens and white mediocrity are the ultimate authority. When white artists can “piggyback” off of artists of color who were once shunned during the post-racial era, important voices are being sidelined again. As an Asian designer, when you have patriarchal confines, an exclusionary art system, and sexually and racially motivated discrimination stacked against you, subversion is the only way to get your message out.

Austin Powers with Fook Mi and Fook Yu, in Goldmember film.
Austin Powers with Fook Mi and Fook Yu, in Goldmember film.