A 1936 American Labor Party poster at the New York Historical Society exhibition “Art as Activism: Graphic Art from the Merrill C. Berman Collection”

A 1936 American Labor Party poster at the New York Historical Society exhibition “Art as Activism: Graphic Art from the Merrill C. Berman Collection”

Poster2755
OTADESIGN_ROUNDED font

OTADESIGN_ROUNDED font

Magazine998
Wrapping Paper for Kao Soap

Wrapping Paper for Kao Soap

Wrapping Paper4
Hiromu Hara4
Shibuya +Fun Project vol.2

Shibuya +Fun Project vol.2

Yurie Inuzuka1Nami Yaoi1
Homer Groening feature in Communication Arts

Homer Groening feature in Communication Arts3

Homer Groening2
Guy Mitchell Show Title Card

Guy Mitchell Show Title Card

Immovable Objects

Immovable Objects

Poster2755
Keith Godard7
Atlas Travel Services Ltd

Atlas Travel Services Ltd11

Logo406Logotype50Visual Identity52
Michael Lewis Pacey7
LIVE TALK

LIVE TALK3

Advertising698
Savona Bailey McClain5
Growing Rice: A Migration Story from Seed to Plate

Growing Rice: A Migration Story from Seed to Plate2

Poster2755
West Harlem Art Fund8
Visual Identity for the City of Rotterdam

Visual Identity for the City of Rotterdam3

Wim Crouwel4Eli Gross3
The Red and Yellow Postal Mailboxes for the Israel Postal Authority

The Red and Yellow Postal Mailboxes for the Israel Postal Authority

Installation22
Eli Gross3
Bank Leumi Design Manual Spreads

Bank Leumi Design Manual Spreads4

Book1112Visual Identity52
Eli Gross3
Poster, 11th Summer Jazz Festival, 1979

Poster, 11th Summer Jazz Festival, 1979

Poster2755
Takenobu Igarashi4
Nishijima, Takeshi. Summer of ’69. 1969.

Nishijima, Takeshi. Summer of ’69. 1969.

Poster2755
Takeshi Nishijima1
Alfred H. Barr Jr.'s Cubism and Abstract Art diagram

Alfred H. Barr Jr.'s Cubism and Abstract Art diagram

diagrams20
Alfred H. Barr, Jr.1
[History Student Work] History of Graphic Design Final Project

[History Student Work] History of Graphic Design Final Project

[History Student Work] Call for Criticism: Massimo Vignelli and the Value of Design Critique

[History Student Work] Call for Criticism: Massimo Vignelli and the Value of Design Critique

[History Student Work] From Stereotypes to Representation: The Evolution of Women in Graphic Design

[History Student Work] From Stereotypes to Representation: The Evolution of Women in Graphic Design5

[History Student Work] Criticism and it's Importance

[History Student Work] Criticism and it's Importance

[History Student Work] Underground Revival

[History Student Work] Underground Revival5

Booklet144
Grace Jones1
[History Student Work] Why Ugly Things Look Good Sometimes

[History Student Work] Why Ugly Things Look Good Sometimes

[History Student Work] Value of Your Work

[History Student Work] Value of Your Work

Book1112
Bricen Cole1
Save Our Signs: People's Archive of National Park Signs

Save Our Signs: People's Archive of National Park Signs

1880 Crow Peace Delegation

1880 Crow Peace Delegation10

Wendy Red Star1
[History Student Work] A  Critical Commentary on “I Am Type”  by Frederic W. Goudy

[History Student Work] A  Critical Commentary on “I Am Type”  by Frederic W. Goudy

[History Student Work] topography of typography 

[History Student Work] topography of typography 5

Booklet144
[History Student Work] Our Book: El Lissitzky's Influence on Contemporary Graphic Design

[History Student Work] Our Book: El Lissitzky's Influence on Contemporary Graphic Design

[History Student Work] What is New in American Typography? A Critical Commentary by Nick Proskurkin

[History Student Work] What is New in American Typography? A Critical Commentary by Nick Proskurkin

[History Student Work] Critical Commentary 

[History Student Work] Critical Commentary 

Publication186
[History Student Work] Beatrice Warde and The Crystal Goblet

[History Student Work] Beatrice Warde and The Crystal Goblet

[History Student Work] "What Is a Designer?" by Alvin Lustig Commentary Booklet

[History Student Work] "What Is a Designer?" by Alvin Lustig Commentary Booklet

[History Student Work] Reflection on T.M. Cleland's “Harsh Words”

[History Student Work] Reflection on T.M. Cleland's “Harsh Words”

[History Student Work] Critical Commentary on Swiss Typography

[History Student Work] Critical Commentary on Swiss Typography

Magazine998
[History Student Work] What is a designer

[History Student Work] What is a designer

Magazine998
Riya Ramrakhiani1
[History Student Work] The Permanence of the Typophoto: A Critical Commentary

[History Student Work] The Permanence of the Typophoto: A Critical Commentary

[History Student Work] Commentary on First Things First

[History Student Work] Commentary on First Things First

Booklet144
Amberlie Vasquez1
[History Student Work] Critical Commentary: Good Design Is Good Business

[History Student Work] Critical Commentary: Good Design Is Good Business7

Magazine Cover248
[History Student Work] The Art of Advertising

[History Student Work] The Art of Advertising8

[History Student Work] Some Aspects of Design from the Perspective of a Woman Designer

[History Student Work] Some Aspects of Design from the Perspective of a Woman Designer

[History Student Work] RED!RED!RED! Or, How Contemporary Trademarks Speak

[History Student Work] RED!RED!RED! Or, How Contemporary Trademarks Speak

Booklet144
Melyssa Okazaki1
[History Student Work] What is a Designer? Student Critical Commentary

[History Student Work] What is a Designer? Student Critical Commentary

Booklet144
[History Student Work] Critical Commentary on Decline of the Visual by Marshall McLuhan 

[History Student Work] Critical Commentary on Decline of the Visual by Marshall McLuhan 

Booklet144
[History Student Work] Critical Commentary: “The New Typography” by László Moholy-Nagy

[History Student Work] Critical Commentary: “The New Typography” by László Moholy-Nagy

Magazine998
Sasha Wheeler1
[History Student Work] Critical Commentary on Massimo Vignelli's “Call for Criticism”

[History Student Work] Critical Commentary on Massimo Vignelli's “Call for Criticism”

Booklet144
Personal Work / Exhibition Art2
[History Student Work] Booklet Commentary on “What Pleases the Modern Man” by Alexey Brodovitch

[History Student Work] Booklet Commentary on “What Pleases the Modern Man” by Alexey Brodovitch

Booklet144
Reagan Schwetje1
[History Student Work] Innovation vs. Revival

[History Student Work] Innovation vs. Revival

Book1112
[History Student Work] Environmental Storytelling in Advertising

[History Student Work] Environmental Storytelling in Advertising

[History Student Work] A critical commentary based on The Designer and The Client by Misha Black

[History Student Work] A critical commentary based on The Designer and The Client by Misha Black

[History Student Work] First Things First 

[History Student Work] First Things First 

[History Student Work] A New Era of Graphic Design

[History Student Work] A New Era of Graphic Design

[History Student Work] First Things First Ken Garland Graphic Design

[History Student Work] First Things First Ken Garland Graphic Design8

[History Student Work] Tradition & Traditionalism

[History Student Work] Tradition & Traditionalism

[History Student Work] Out Of Industry

[History Student Work] Out Of Industry

Pamphlet70
[History Student Work] First Things First- Booklet

[History Student Work] First Things First- Booklet

[History Student Work] Design in Service: Constructivism, Brutalism, and the Social Purpose of Design

[History Student Work] Design in Service: Constructivism, Brutalism, and the Social Purpose of Design

[History Student Work] Visual pop

[History Student Work] Visual pop

[History Student Work] "The Crystal Goblet" Booklet

[History Student Work] "The Crystal Goblet" Booklet

[History Student Work] Commentary on Lissitzky's Topography of Typography

[History Student Work] Commentary on Lissitzky's Topography of Typography

Booklet144
El Lisitsky1
[History Student Work] What is a Design?

[History Student Work] What is a Design?

[History Student Work] Visual Pop: A Critical Commentary

[History Student Work] Visual Pop: A Critical Commentary

Magazine998Book1112
Emele Gaspar1
[History Student Work] The Modern Man

[History Student Work] The Modern Man8

[History Student Work] What is a Designer? (Commentary)

[History Student Work] What is a Designer? (Commentary)

[History Student Work] Critical Commentary on Frederic Goudy's 1931 Essay, “I Am Type!”

[History Student Work] Critical Commentary on Frederic Goudy's 1931 Essay, “I Am Type!”